Published as part of the first major survey of Imants Tillers’ paintings in Australia, including his significant large-scale canvasboard works (including his Diaspora series and Terra incognita), this book traces the artist’s career from 1984 to 2006. It considers Tillers’ blending of personal themes with the postmodernist techniques of appropriation and quotation, as well as his investigation of identity, place, displacement and chance encounter and of the webs of connection across time and space.