This collection presents a scholarly attempt to map the rapidly emerging field of mixed-race literature, defined as texts written by authors who represent multiple cultural and literary traditions - African-European, Native-European, Eurasian, African-Asian, and Native-African American. It seeks to allow scholars to engage a wide variety of mixed race literatures and critical approaches, and to situate these literatures in relation to contemporary fields of literary enquiry. The editor's introduction provides a historical context for the development of mixed-race identity and literature, summarizing existing scholarship on the subject, interrogating the social construction of race and mixed race, and arguing for a literary (rather than literal) inquiry into mixed-race texts. The essays examine such subjects as myth-making and interpreting; the illustration of mixed-race texts; the mixed-race drama of Velina Hasu Houston; race, gender and transnational spaces; the meaning and negotiation of identity; the theory of kin-aesthetic in Asian-Native American literatures; and Maori-Pakeha mixed-race writing in New Zealand. The editor's conclusion argues that rather than following the tragic employment assigned to mulattos, octoroons and half-bloods, the evolution of mixed-race texts has been from tragedy to trickster. The role of the tragic trickster facilitates a shift in which new and distinct literary strategies and forms emerge. These models represent critical sites from which to theorize the overall formation of American literature and to complicate its formation in ways that unfold our usual notions of race, gender and culture.