How important it is, then, that a goodly part Of the literature presented to us in the form of readings and recitations from the public platform - in our schools, in our churches, in our literary clubs, in our concert halls - should reflect the life, the thought, the senti ment, the atmosphere of Canada. And who can better interpret for us the life of Canada than the Canadian writers who have lived it? Who can better voice its sentiment than those who have felt it? Who can better convey its atmosphere than those who have breathed it?

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